Wednesday, October 9, 2013

"The Good The Bad and The Vocab"


Between the lines: children's books that celebrate the power of language

Tuesday, 08 October, 2013, 10:40am







My daughter loves to play with older children, and I enjoy spending an afternoon with families with older offspring, as it gives me a glimpse of what may be in store.
When my daughter was three years old, I witnessed my friend's five-year-old son doing something he wasn't supposed to. Rather than berate the boy, my friend calmly suggested that he think about the consequences of his action. And he stopped misbehaving.
I was greatly impressed with this feat of superior parenting. My friend advised that children can be conditioned to take, or refrain from, certain actions once they have suffered consequences.
Of course, the key is to carry through with the threatened consequences, or to allow the natural consequence to flow.
For example, if a child is jumping around while eating his ice cream cone, don't warn him that the melting dessert may fall onto the ground and then take it away to hold it for him.
If you warn him about the consequence, you must allow him to experience it (unsafe consequences excepted) for the lesson to be learned.
For weeks after that play date, I started to teach my daughter about actions and consequences. One day, she asked for a cookie without saying "please". I said, "What's the magic word?" to which she hesitantly replied, "Consequences?"
I realised that, while she had learned this new word, she was too young to grasp its meaning.
Since then, I have patiently waited for my daughter to be old enough to understand "consequences", as her daily life continued to be filled with instances of good and bad consequences. Now that she is five years old, we enjoy books about vocabulary, which explore concepts like "consequences".
Jamie Lee Curtis, the Hollywood actress, celebrates the power of language in her eighth children's picture book, Big Words for Little People. This picture book uses rhyming verses and humorous illustrations to introduce words such as consequence, privacy and inconsiderate.
Of the word persevere, Curtis writes: "To persevere is to try and to try, even though you might want to give up and cry. When doing a puzzle that puzzles your mind, you persevere until the right piece you find."
This word is accompanied by an illustration of children trying to put together a giant 60,000-piece puzzle.
Another of our favourite books is Amy Krouse Rosenthal's Cookies: Bite-Size Life Lessons. Children learn about what it means to have respect, be modest, feel compassionate, and a range of other feelings and concepts, all in the context of baking, eating and sharing cookies.
With beautiful drawings by acclaimed illustrator Jane Dyer, this book helps define grown-up concepts in language that children can understand.
For trustworthy, Rosenthal writes: "Trustworthy means, if you ask me to hold your cookie until you come back, when you come back, I will still be holding your cookie."
This book was so well-received that Rosenthal followed up with new words in the same cookie context in a whole series of books about going to school, love and Christmas.
For primary school children, Lee Bennett Hopkins' Wonderful Words: Poems about Reading, Writing, Speaking and Listening is a poetry collection sure to inspire young wordsmiths.
Hopkins is a distinguished poet and anthologist, and this book includes poems by Emily Dickinson and Carl Sandburg. With poems titled Metaphor,Words Free as Confetti and How to Learn to Say a Long, Hard Word, language is celebrated as something that greatly influences our lives, externally and internally.


Annie Ho is board chairwoman of Bring Me a Book Hong Kong, a non-profit organisation dedicated to improving children's literacy by reading aloud to them bringmeabook.org.hk

Tuesday, September 24, 2013

Chen Chih Yuan


Taiwan author's modern fables teach kids to be themselves

Tuesday, 24 September, 2013








When it comes to tales about accepting and celebrating oneself, no one tells it better than Chen Chih-yuan. An author-illustrator in Taiwan, Chen created an international sensation when Guji Guji was translated into English. This beautifully written story of a "crocoduck" was an American Library Association Notable Children's Book and appeared onThe New York Times bestseller list.
Chen's ink drawings in muted grey and brown tones belie the riotous antics of a crocodile adopted into a family of ducks. The crocodile grows up as a duck, but upon meeting some crocodiles and seeing how similar in appearance he is to them, he is torn about what and who he truly is.
Guji Guji has the makings of a classic modern fable. I can read it again and again without ever tiring of it.
For bilingual children, I recommend the Chinese-language version of this picture book, which includes an English translation and bilingual CD at the back.
In his author's notes, Chen explains that the story was inspired by a Korean friend who was adopted by an American family. Someone who looks different from family members and the community must first embrace or overlook those differences before he can expect others to do so.
In Chen's The Featherless Chicken, the protagonist is shunned by his feathered peers. He is finally invited to join a boat trip when bits and pieces stick to his muddy body like beautiful plumage. Everyone on the boat learns the "beauty is skin-deep" message when the boat capsizes.
Chen's latest offering, The Very Slow Snail, comes with an English translation and bilingual CD, and is a 2013 Feng Zikai Chinese Children's Picture Book Award honours book. The snail talks slowly and moves even more slowly. One day it decides to go to a grapevine to eat grapes.
Along the way, it encounters creatures that ridicule its quest, teasing that all the grapes will be gone by the time the slow snail reaches the vine. Only one creature encourages the snail - a caterpillar who thinks eating grapes is a great idea. The snail offers to piggyback the caterpillar, and their friendship grows on their journey.
This adorable and funny story about the beauty of taking things slowly is a good antidote for my daughter. Her natural disposition is that of a cautious observer who is slow to react. As a result, she hears "hurry up" and "quickly, quickly" countless times a day.
At home, we are always rushing to finish the morning routine and head to school. At school, she is constantly told to eat her lunch or finish her worksheets faster.
Rather than share a tale about the misfortunes that await dawdlers, I comfort my daughter with this story of a snail and a caterpillar who are content with their lack of speed.
The Very Slow Snail reminds us to savour a slower pace. It is a wonderful allegory for enjoying childhood and not rushing the process of growing up.
Annie Ho is board chairwoman of Bring Me a Book Hong Kong, a non-profit organisation dedicated to improving children's literacy by reading aloud to them bringmeabook.org.hk

Tuesday, September 10, 2013

Feng Zikai Book Award


Chinese picture book award sparks hope for genre

Tuesday, 10 September, 2013, 9:38am








Yu Liqiong's A New Year's Reunioncarries the distinction of being a Chinese-language picture book that won accolades before and after its translation into English.
The Chinese-language version was winner of the Feng Zikai Chinese Children's Picture Book Award in 2009. Its English translation won The New York Times Top Ten Children's Books Award in 2012.
The Feng Zikai Award is important as it encourages authors, illustrators and publishers to create Chinese language children's books of a high standard, that are originally written in Chinese, rather than translated from English.
The vision of the award is to improve childhood literacy for the Chinese reading public.
From my perspective as a mother raising bilingual children in Hong Kong, I also appreciate this ready-made book list. Knowing that this selection comes from a panel of experts means I don't need to sift through the countless titles myself.
This year's award winners were announced last month. The winner and four honoured books were selected from 27 shortlisted works that were culled from hundreds of entries.
Liu Bole's I See a Bird (pictured) won the top prize for its meticulous illustration of a variety of species. Interestingly, this winning choice is completely unlike A New Year's Reunion, with its patriotic theme of how a modern family celebrates Lunar New Year.
In I See a Bird, a mother tries to guess the identity of a new bird her daughter saw for the first time. This story encourages children to get closer to nature and teaches them how to observe birds in their natural environment.
According to one of the judges, esteemed children's book editor Tang Ya Ming, texts such as these are especially relevant in today's world, where children increasingly live in urban settings where learning comes from electronic devices.
In the judges' notes, Tang says of creating quality picture books: "Illustrating a book is not about self-expression. It is not like creating a painting.
"Rather, it is a tool with which the artist can bring joy to children and allow them to discuss and connect with their feelings."
Keeping the child in mind is the essence of creating a good picture book. Furthermore, the greatest picture books transcend cultures and eras.
How exciting it is to create Chinese language picture books with timeless appeal that can be loved by children around the world. I hope that I See a Bird will follow the footsteps of A New Year's Reunion and have an English version published soon.
A full list of 2013 Feng Zikai Book Award winners and runners-up can be found at fengzikaibookaward.org
Annie Ho is board chairwoman of Bring Me a Book Hong Kong, a non-profit organisation dedicated to improving children's literacy by reading aloud to them bringmeabook.org.hk